From Disney classics to niche and campy horror flicks from the '80s, these are the VHS tapes that are actually worth something. The VHS tape, of course, had a life span. Developed in Japan in , brought to the United States in , and essentially discontinued in of over 50, results for "VHS Tapes" · Maxell STD-T 4 Pack VHS Tapes · TDK 7 Pack T VHS Premium Quality HS Video Tape- RAW PHOTO It's very likely calling from the or users defined safe for use. Must ensure that you are using running a preview BGR colors for in more than 50 of the months, giving Splashtop plenty of opportunity hotel or train. SD Content gets enter the Port when not in.
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The first run of tapes hit shelves in and, allegedly, illustrators hid a bit of human anatomy in the cover art. Nonetheless, amid the controversy, Disney recalled the tapes and launched a fresh run with new cover art. So, which tapes are the big winners then? First up, we have a few hit horror films.
Well, hit might be a strong word; honestly, these are both super rare and super random. Recent winners include copies of:. Recent top-sellers include:. Bundles tend to do especially well in this category, regardless of the condition of the tapes.
Some of the most valuable include:. As you might expect, buyers tend to be willing to pay more for items that have received the IGS seal of approval. So, are you likely to make thousands off of your collection of old VHS tapes? Probably not. Just be sure to have realistic expectations. Craving Cartoons? From that point onward nearly every home video release by Hollywood featured a Dolby-encoded linear stereo audiotrack.
However, linear stereo was never popular with equipment makers or consumers. Another linear control track , at the tape's lower edge, holds pulses that mark the beginning of every frame of video; these are used to fine-tune the tape speed during playback, so that the high speed rotating heads remained exactly on their helical tracks rather than somewhere between two adjacent tracks known as " tracking ".
The control track is also used to hold index marks , which were normally written at the beginning of each recording session, and can be found using the VCR's index search function: this will fast-wind forward or backward to the n th specified index mark, and resume playback from there. At times, higher-end VCRs provided functions for the user to manually add and remove these marks. By the late s, some high-end VCRs offered more sophisticated indexing.
For example, Panasonic's Tape Library system assigned an ID number to each cassette, and logged recording information channel, date, time and optional program title entered by the user both on the cassette and in the VCR's memory for up to recordings with titles. Both VHS Hi-Fi and Betamax Hi-Fi delivered flat full-range frequency response 20 Hz to 20 kHz , excellent 70 dB signal-to-noise ratio in consumer space, second only to the compact disc , dynamic range of 90 dB, and professional audio -grade channel separation more than 70 dB.
VHS Hi-Fi audio is achieved by using audio frequency modulation AFM , modulating the two stereo channels L, R on two different frequency-modulated carriers and embedding the combined modulated audio signal pair into the video signal. To avoid crosstalk and interference from the primary video carrier, VHS's implementation of AFM relied on a form of magnetic recording called depth multiplexing. The modulated audio carrier pair was placed in the hitherto-unused frequency range between the luminance and the color carrier below 1.
Subsequently, the video head erases and re-records the video signal combined luminance and color signal over the same tape surface, but the video signal's higher center frequency results in a shallower magnetization of the tape, allowing both the video and residual AFM audio signal to coexist on tape. During playback, VHS Hi-Fi recovers the depth-recorded AFM signal by subtracting the audio head's signal which contains the AFM signal contaminated by a weak image of the video signal from the video head's signal which contains only the video signal , then demodulates the left and right audio channels from their respective frequency carriers.
The result of the complex process was audio of high fidelity, which was uniformly solid across all tape-speeds EP, LP or SP. Since JVC had gone through the complexity of ensuring Hi-Fi's backward compatibility with non-Hi-Fi VCRs, virtually all studio home video releases produced after this time contained Hi-Fi audio tracks, in addition to the linear audio track.
The sound quality of Hi-Fi VHS stereo is comparable to some extent to the quality of CD audio, particularly when recordings were made on high-end or professional VHS machines that have a manual audio recording level control.
This high quality compared to other consumer audio recording formats such as compact cassette attracted the attention of amateur and hobbyist recording artists. Home recording enthusiasts occasionally recorded high quality stereo mixdowns and master recordings from multitrack audio tape onto consumer-level Hi-Fi VCRs. However, because the VHS Hi-Fi recording process is intertwined with the VCR's video-recording function, advanced editing functions such as audio-only or video-only dubbing are impossible.
A short-lived alternative to the hifi feature for recording mixdowns of hobbyist audio-only projects was a PCM adaptor so that high-bandwidth digital video could use a grid of black-and-white dots on an analog video carrier to give pro-grade digital sounds though DAT tapes made this obsolete.
Some VHS decks also had a "simulcast" switch, allowing users to record an external audio input along with off-air pictures. Some televised concerts offered a stereo simulcast soundtrack on FM radio and as such, events like Live Aid were recorded by thousands of people with a full stereo soundtrack despite the fact that stereo TV broadcasts were some years off especially in regions that adopted NICAM. Other examples of this included network television shows such as Friday Night Videos and MTV for its first few years in existence.
Likewise, some countries, most notably South Africa , provided alternate language audio tracks for TV programming through an FM radio simulcast. The considerable complexity and additional hardware limited VHS Hi-Fi to high-end decks for many years. Even then, most customers were unaware of its significance and merely enjoyed the better audio performance of the newer decks.
Due to the path followed by the video and Hi-Fi audio heads being striped and discontinuous—unlike that of the linear audio track—head-switching is required to provide a continuous audio signal. While the video signal can easily hide the head-switching point in the invisible vertical retrace section of the signal, so that the exact switching point is not very important, the same is obviously not possible with a continuous audio signal that has no inaudible sections.
Hi-Fi audio is thus dependent on a much more exact alignment of the head switching point than is required for non-HiFi VHS machines. Misalignments may lead to imperfect joining of the signal, resulting in low-pitched buzzing. Another issue that made VHS Hi-Fi imperfect for music is the inaccurate reproduction of levels softer and louder which are not re-created as the original source.
The audio system both linear and AFM is the same. S-VHS made little impact on the home market, but gained dominance in the camcorder market due to its superior picture quality. Since VHS-C tapes are based on the same magnetic tape as full-size tapes, they can be played back in standard VHS players using a mechanical adapter, without the need of any kind of signal conversion.
The magnetic tape on VHS-C cassettes is wound on one main spool and uses a gear wheel to advance the tape. The adapter is mechanical, although early examples were motorized, with a battery. It has an internal hub to engage with the VCR mechanism in the location of a normal full-size tape hub, driving the gearing on the VHS-C cassette. Also, when a VHS-C cassette is inserted into the adapter, a small swing-arm pulls the tape out of the miniature cassette to span the standard tape path distance between the guide rollers of a full-size tape.
This allows the tape from the miniature cassette to use the same loading mechanism as that from the standard cassette. Ultimately neither format "won" and both have been superseded by digital high definition equipment. There is also a JVC-designed component digital professional production format known as Digital-S , or officially under the name D9, that uses a VHS form factor tape and essentially the same mechanical tape handling techniques as an S-VHS recorder.
This format is the least expensive format to support a Sel-Sync pre-read for video editing. It has now been superseded by high definition formats. These devices served the sole purpose of rewinding VHS tapes. Proponents of the rewinders argued that the use of the rewind function on the standard VHS player would lead to wear and tear of the transport mechanism.
The rewinder would rewind the tapes smoothly and also normally do so at a faster rate than the standard rewind function on VHS players. However, some rewinder brands did have some frequent abrupt stops, which occasionally led to tape damage. Some devices were marketed which allowed a personal computer to use a VHS recorder as a data backup device.
VHS can record and play back all varieties of analog television signals in existence at the time VHS was devised. However, a machine must be designed to record a given standard. Typically, a VHS machine can only handle signals using the same standard as the country it was sold in. Since the s, dual and multi-standard VHS machines, able to handle a variety of VHS-supported video standards, became more common. Dedicated multi-standard machines can usually handle all standards listed, and some high-end models could convert the content of a tape from one standard to another on the fly during playback by using a built-in standards converter.
A small number of VHS decks are able to decode closed captions on video cassettes before sending the full signal to the set with the captions. A smaller number still are able, additionally, to record subtitles transmitted with world standard teletext signals on pre-digital services , simultaneously with the associated program. S-VHS has a sufficient resolution to record teletext signals with relatively few errors,  although for some years now it has been possible to recover teletext pages and even complete "page carousels" from regular VHS recordings using non-real-time computer processing.
VHS was popular for long-form content, such as feature films or documentaries, as well as short-play content, such as music videos, in-store videos, teaching videos, distribution of lectures and talks, and demonstrations. VHS instruction tapes were sometimes included with various products and services, including exercise equipment, kitchen appliances, and computer software.
VHS was the winner of a protracted and somewhat bitter format war during the late s and early s against Sony's Betamax format as well as other formats of the time. Betamax was widely perceived at the time as the better format, as the cassette was smaller in size, and Betamax offered slightly better video quality than VHS — it had lower video noise, less luma-chroma crosstalk , and was marketed as providing pictures superior to those of VHS.
However, the sticking point for both consumers and potential licensing partners of Betamax was the total recording time. Very high-end Betamax machines still supported recording in the Beta I mode and some in an even higher resolution Beta Is Beta I Super HiBand mode, but at a maximum single-cassette run time of [with an L cassette].
Because Betamax was released more than a year before VHS, it held an early lead in the format war. However, by , United States' Betamax sales had dipped to only percent of all sales. Some, including Sony's founder Akio Morita, say that it was due to Sony's licensing strategy with other manufacturers, which consistently kept the overall cost for a unit higher than a VHS unit, and that JVC allowed other manufacturers to produce VHS units license-free, thereby keeping costs lower.
The video cassette recorder was a mainstay in television -equipped American and European living rooms for more than twenty years from its introduction in the s. The home television recording market, as well as the camcorder market, has since transitioned to digital recording on solid-state memory cards. Though In the mids, several retail chains in the United States and Europe announced they would stop selling VHS equipment.
The last known company in the world to manufacture VHS equipment was Funai of Japan, who produced video cassette recorders under the Sanyo brand in China and North America. Funai ceased production of VHS equipment in July , citing falling sales and a shortage of components.
Despite the decline in both VHS players and programming on VHS machines, they are still owned in some households worldwide. Those who still use or hold on to VHS do so for a number of reasons, including nostalgic value, ease of use in recording, keeping personal videos or home movies , watching content currently exclusive to VHS, and collecting.
Some expatriate communities in the United States also obtain video content from their native countries in VHS format. Although VHS has been discontinued in the United States, VHS recorders and blank tapes were still sold at stores in other developed countries prior to digital television transitions.
A market for pre-recorded VHS tapes has continued, and some online retailers such as Amazon still sell new and used pre-recorded VHS cassettes of movies and television programs. None of the major Hollywood studios generally issue releases on VHS. The last major studio film to be released in the format in the United States, other than as part of special marketing promotions, was A History of Violence in However, there have been a few exceptions.
For example, The House of the Devil was released on VHS in as an Amazon-exclusive deal, in keeping with the film's intent to mimic s horror films. The company later announced future VHS runs of pay-per-view events. Though occasionally showing compression artifacts and color banding that are common discrepancies in digital media, the durability and longevity of a VCD depends on the production quality of the disc, and its handling.
The data stored digitally on a VCD theoretically does not degrade in the analog sense like tape. In the disc player, there is no physical contact made with either the data or label sides. When handled properly, a VCD will last a long time. Since a VCD can hold only 74 minutes of video, a movie exceeding that mark has to be divided into two or more discs.
Despite DVD's better quality typical horizontal resolution of versus lines per picture height , and the availability of standalone DVD recorders, VHS is still used in home recording of video content. High-capacity digital recording systems are also gaining in popularity with home users. These types of systems come in several form factors:.
These types of systems provide users with a no-maintenance solution for capturing video content. Customers of subscriber-based TV generally receive electronic program guides, enabling one-touch setup of a recording schedule. Hard disk—based systems allow for many hours of recording without user-maintenance.
Often considered an important medium of film history, the influence of VHS on art and cinema was highlighted in a retrospective staged at the Museum of Arts and Design in The documentary film Rewind This! From Wikipedia, the free encyclopedia. Consumer-level analog video tape recording and cassette form factor standard. This article is about the video format. For other uses, see VHS disambiguation. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Further information: Video tape recorder. Play media. Main article: VHS-C. Main article: Digital-S. Main article: Videotape format war.
This section has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages. This section needs to be updated. Please help update this article to reflect recent events or newly available information. April The examples and perspective in this section deal primarily with the United States and do not represent a worldwide view of the subject.
You may improve this section , discuss the issue on the talk page , or create a new section, as appropriate. July Learn how and when to remove this template message. See also: Video CD. See also: DVD-Video. See also: Digital video recorder. Page cites the original name as "Video Home System", from the original source, an article by Yuma Shiraishi, one of its inventors. New long-play video-cassette recorders". Popular Science. Times Mirror Magazine inc. Los Angeles Times.
Retrieved July 11, University of Wisconsin-Milwaukee. Archived from the original on July 22, Retrieved November 11, Retrieved The Washington Post. August 28, The Los Angeles Times. The Washington Times. Washington, D. June 20, Ars Technica. Archived from the original on CED Magic. Albert Abramson. ISBN Archived from the original on August 13, The New York Times. September 7, Screen Society.
Citadel Press Books. Retrieved October 6, Principles of Multimedia. Tata McGraw-Hill Education. Archived from the original on January 11, August 23, Archived from the original on February 25, The Verge. Oxford Handbooks, Dec. September 30, What is the format? Retrieved 2 March Retrieved February 10, New Scientist. Jones and Bartlett Publishers. Time Strategies, Innovation and Environmental Policy. Advances in Ecological Economics. Edward Elgar Publishing.
ISBN X. Critical Studies in Communication and in the Cultural Industries. May 28, April 1, The Free Lance-Star. Associated Press. December 14, The pre-color timings are quoted here for simplicity.
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